IMPORTANT INFORMATION FOR THE SARAH MCLACHLAN CONCERT

• FEIST will begin at 7:30PM and SARAH MCLACHLAN will close the show.
• Patrons will be allowed to bring in up to four 33.8 fl oz factory sealed bottles of water. Squeezable, soft plastic water bottles that are empty will also be allowed (please note that non-squeezable plastic water bottles will not be allowed). In addition, there will be free ICON Water Refill Stations on site, as well as multiple Carrier Misting Stations.
• If you have Mobile ticket(s), make sure to download your ticket(s) prior to arriving at the venue. To download your mobile ticket(s) to your phone, go to "My Events" in the Ticketmaster App and select "Add To Wallet" (on iPhone) or "Save To Phone" (on Android). With your ticket open on your phone, tap your phone to the event staff's scanner during entry. For more info, CLICK HERE.
• Parking lots will open at 4:00PM for the Sarah McLachlan concert.
• The Rideshare and Uber/Lyft Pickup location is located across the street from Gate 2 (Coney Island's Main Entrance). For directions and a map of the parking lot, CLICK HERE.
• For free WiFi at the show, connect to the Fioptics Free WiFi network on your phone.
• Please allow extra time for metal-detector screening, visual inspection, and bag inspection conducted by PNC Pavilion security personnel. Any bag/purse larger than 12"x12" will not be permitted. The purpose of the inspection is to detect prohibited items and is for the safety of our guests and our staff.

Acclaimed Grammy and Juno-award winning artist Sarah McLachlan announced the Fumbling Towards Ecstasy 30th Anniversary Tour, live across North America next summer. The 30-date run will stop Cincinnati, OH for a performance at PNC Pavilion on Friday, June 14. Very special guest Feist will join on the tour.

“I think it’s interesting as an artist, or as a human for that matter, to be able to go back and look at a postcard of a time in your life and reflect on it,” said Sarah McLachlan. “I think this tour is going to be a real walk down memory lane for me, and I’m hoping that my audience, many of whom have been with me for 30 years, will also be able to go back in time with me.”

The summer tour celebrates McLachlan’s highly acclaimed third studio album, Fumbling Towards Ecstasy, which first released October 22, 1993 via Le Studio. The album quickly topped the charts in Canada and went certified platinum within a few weeks, selling over 3 million copies worldwide to date. Hit singles include "Possession,” "Hold On," “Ice Cream,” and "Good Enough,” among others. The 30th anniversary tour will see McLachlan playing the beloved album in its entirety along with some of her most celebrated songs in iconic venues across North America.

ABOUT SARAH MCLACHLAN

Sarah McLachlan is one of the most celebrated singer songwriters in entertainment with over 40 million albums sold worldwide. She has received three Grammy Awards and twelve Juno Awards over her career and has been inducted into the Canadian Music Hall of Fame. In addition to her personal artistic efforts, she founded the Lilith Fair tour, which showcased female musicians and brought over two million people together during its three-year run. Lilith Fair raised over $7 million for local and national charities and was the most successful all-female music event, launching the careers of numerous performers. Following Lilith Fair, Sarah was awarded the Elizabeth Cady Stanton Visionary Award for furthering the careers of women in music. In 2002 she founded the non-profit Sarah McLachlan School of Music which provides high quality music education and mentorship free to children and youth facing various barriers to access.

FOLLOW SARAH MCLACHLAN:

Website | Twitter | Instagram | YouTube | Facebook

ABOUT FEIST

Throughout her new Grammy-nominated album Multitudes, 11-time Juno Award-winning artist Feist sets her observation on the countless ways we seek out or deliberately hide from the truth: searching the natural world for portents and good omens, pulling tarot cards and masking our true emotions to spare our loved ones from pain. From a lyrical honesty that’s as confronting as it is unguarded, Feist writes of “A crucible of apex events that brought life to a new temperature.” and of “A new dimension of self awareness that time and experience seemed to require.” Her sixth full-length and first release since 2017’s critically lauded Pleasure, Multitudes took shape soon after the birth of her daughter and sudden death of her father, a back-to-back convergence of life-altering events that left the Canadian singer/songwriter with “Nothing performative in me anymore.” As she cleansed her songwriting of any tendency to obscure unwanted truths, Feist slowly made her way toward a batch of songs rooted in a raw and potent realism which is touched with otherworldly beauty.

Largely written and workshopped during an intensely communal experimental show of the same name through 2021 and 2022, the songs developed in parallel with and were deeply influenced by the mutuality of the unconventional experience. Incorporating such elements as real-time video explorations of the audience, a subtle dramaturgical disarming of normalized conventions between performer and observer, and ATMOS surround sound, the “egalitarian theatre experiment”, created in collaboration with Rob Sinclair (Peter Gabriel, David Byrne) embodied an expansive, exploratory, and elegantly wayward sound that immediately invited a more receptive state of mind, and was lauded as “A work of genius.” (Toronto Star)

At the completion of the developmental run of residencies and in turning to the task of creating the album in a bespoke residential studio in the California Redwoods, Feist produced alongside her frequent co-producers Mocky and Robbie Lackritz, with an ensemble including Todd Dahlhoff, Amir Yaghmai, Shahzad Ismaily (Lou Reed, Tom Waits) and Gabe Noel (Kendrick Lamar, Kamasi Washington) with guest appearances by Blake Mills (Bob Dylan, Perfume Genius) and longtime collaborator Chilly Gonzales. A supreme setting for her enchanting voice and all its manifestations, Multitudes unfolds with a near-symphonic grandeur despite its moments of absolute starkness, lending an endlessly mesmeric quality to Feist’s meditations on mortality and connection and the frenetic state of the human condition.